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That's Not Protocol

The other day I had a conversation with an artist from my church that has left me in doubt as to whether I should continue my art--or whether I am heading down a road to heartbreak. But then, again, SHE may be heading down the road to heartbreak as well.

She was selling calendars featuring paintings of area landmarks and I quite innocently asked what it cost to produce something like that. I was very frostily told "that's not protocol" to ask and that I need to contact the printing companies myself. But then she said, "Well, you being new, wouldn't know that."

So apparently it is not kosher to ask about the kind of expenses one might expect to incur should one wish to pursue a career in art. That apparently there is an unspoken, unwritten "protocol" that only those in the know know about and those who are not, well, too bad for you. Because you aren't going to find it out.

There is no shortage of information on how to get started on the creative process, whether it is writing or art, but when it comes to what to do with that output, the stream of information dries up to a drip. It's like there is a secret club whose membership is limited to a select few. Without that information you don't have a prayer of getting in, and they are not about to let you have that information.

Personally, I think that established artists and writers ought to talk frankly about the kind of money it takes to succeed in the business, so that those of us with limited means can make a decision about whether we ought to be pursuing such interests. The fact that many writers and artists mention receiving grants is a clue right there that significant money is often involved. Again, to get a grant, you have to know how to write a grant and what kind of money you are talking about. "Do your homework", she said. But how can you do your homework when you don't even know where to turn and when you are told, "that's not protocol to ask"?

But then she mentioned writing a book. Aha, here is something I know a little bit about, having tried it myself. She said that this book was her dream, her life. Yes, that was me, 20 years ago. She said, "I know it will cost a lot of money but I don't care. If I have to, I'll finance it on credit cards."

Oh, yes, lady, been there and done that. But there is one significant difference between me and you in this regard. You don't have time on your hands. She's 70 and retired. If she racks up major credit card debt trying to get this book published, she does not have the time to regroup her losses. And every day that those cards carry a balance, the interest accumulates. She will watch her payments go up and up and up and up and eat away at her pension and social security. I'm working, and I know what it is like to see those payments eat up my paycheck. Credit card debt is the absolutely WORST kind of debt to accumulate, with interest rates in the double digits. I am surprised she even is considering this method of financing her dream, Visa and Mastercard will be rubbing their hands with glee.

But I kept my mouth shut. After all, why should she listen to me? I'm new, I don't know the protocol. And maybe she will beat the odds and recoup the investment she is planning to make. But there are an awful lot of writers out there who don't. I have a friend who owns a used bookstore and every so often she will feature new, usually self-published books by local authors. I was admiring one such book the other day, a children's story. The author was asking $20 for this slim volume. That's because it cost him so much to produce it he has to charge so much just to break even. And with the way my friend's business is going these days, it may take him a while to see any money at all.

The moral of the story, I am afraid, is that if you are struggling financially, you probably have no business trying to break into either the writing or the art business. It's like the old saying, "If you have to ask the price, you can't afford it." Have I not learned from my earlier mistake? I don't know. But it sure is discouraging.

Comments

First thing, the woman with whom you were dealing is nothing but an old, cranky b*tch. Protocol my ass. She's probably jealous of you. She doesn't want to give you information because you might present competition for her. I've met people like that. Well, good luck to them. Good job you didn't give her any helpful advice either. You're right, she wouldn't listen to you anyway. That kind of person thinks they have all the answers.

It's true, though. The creative professions do require a lot of money to break into successfully. If you're a writer, you may want to take a class on writing grant proposals. I took one at university. It's tough, but the rewards can make it worthwhile. You could probably find an online class on the Internet. The other option is to find a benefactor who believes in your work, but those are harder to come by. Good luck.
 
I have a suggestion that is a little different. First of all if you want to write fiction and want to practice there is a great website called fanfiction.net

You can write your own stories using other people's universes. The reason I suggest it is because if you write a lot you will not only become a better writer you will get fans.

Once you have fan and have written your book head on over to smashwords.com and publish it for free. This online publisher then pushes your book out to Barnes and Noble, Apple and other publishers (not amazon unless you sell a certain number of books)

Once you have it published you can go back to fanfiction.net and let your fans know you have a book - at least some of them may go purchase it.

This is just a general outline of a way to get started, but I hope it helps.
 
It is true that online publishing has changed the publishing game somewhat. However, keeping in mind that there is no such thing as a free lunch, I question whether publishing on smashwords or similar sites is truly free, especially if you say that they also are pushing your book out to Barnes & Noble, Apple and others. Someone somewhere has to be paid for doing that work (I doubt very much that smashwords is run by volunteers) and that cost must come out of someone's pocket. If not yours, then your customers'?

There is also this to consider. It is my understanding that companies that advertise self-publishing often do not have editors or proofreaders so your work is printed "as is" and that this is why self-publishing has had such a bad reputation among serious writers. I have seen self-published books that were clearly not proofread by either author or printer and contained numerous spelling and grammatical mistakes. I remember one where the author for some reason had used global search and replace so that every word that had "si" in it came out as "Si" (for example, deSire). Furthermore, when you submit your work to a traditional publishing company, you are submitting your work to the judgement and expertise of people who have seen a lot of writing, both good and bad, and because it is so hard to be accepted, it means something when your work is accepted. It means it has passed a certain standard.
 

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