musicalman
Well-Known Member
Hi everyone,
A few days ago this idea came to me. Who has a special interest in something which, due to the passing of time, is hardly relevant today? I'll give you mine.
Being a musician, I've always been interested in synthesizers. The one branch that I found most interesting since I was a teenager is sample-based synthesis. This essentially means that different samples or recordings of instruments are played based on what note of the keyboard you press, or how soft or loud you press that note. While that is still popular today and I find it interesting to see how approaches develop in that field, I've been more interested in retro products where memory was expensive so roms had to be as small as you could get away with. I feel like working within these kinds of constraints is really a lost art.
It's my belief that the big keyboard companies (Roland, Yamaha Korg etc.) had really skilled sound designers and engineers and a handful of proprietary algorithms at their disposal to deal with this. I've always wanted to find my own way of imitating their polish without sounding cheap, and in fact less than 2 weeks ago I found a tool which gets me most of the way there with my own samples, and it's part of an obscure experimental collection of tools which really isn't meant for this sort of thing, but I've found a way to make them work. Ordinarily I'd be sharing this find with my geeky friends, but I do have to be careful who I tell about it; many people have moved on. Fancy tricks to compress samples are no longer sought after, and are in fact frowned upon. Why squeeze a piano down to 10 megabytes of space and be proud of the unnaturally clean compression I managed to do to make it smaller, when pianos which are 1,000 times the size are commonplace, often sound a lot better, and need no compression at all?
When I think about this, I become at least a little depressed, and sometimes I wish I were 20-30 years older. Old enough to have been around at a time when my special interests had a place. But then I do a double-take. Had I been around during that time, I wouldn't have the tools I have now. Maybe the tools people used then weren't as easy to use. And aside from that, maybe I would've found it harder to learn the basics of audio editing. I learned about those online mostly. In the 90s, such resources were not nearly as abundant, and I likely would not have met my few friends who at least tolerate my odd interests now. For me at least, the chance that things would flop if I were in the past is what keeps me glad I'm in the present . Besides, there are always little circles to be found for any special interest.
So, what kind of irrelevant special interests do you have? If you could, would you go back in time and seek out big opportunities to use your special interest?
A few days ago this idea came to me. Who has a special interest in something which, due to the passing of time, is hardly relevant today? I'll give you mine.
Being a musician, I've always been interested in synthesizers. The one branch that I found most interesting since I was a teenager is sample-based synthesis. This essentially means that different samples or recordings of instruments are played based on what note of the keyboard you press, or how soft or loud you press that note. While that is still popular today and I find it interesting to see how approaches develop in that field, I've been more interested in retro products where memory was expensive so roms had to be as small as you could get away with. I feel like working within these kinds of constraints is really a lost art.
It's my belief that the big keyboard companies (Roland, Yamaha Korg etc.) had really skilled sound designers and engineers and a handful of proprietary algorithms at their disposal to deal with this. I've always wanted to find my own way of imitating their polish without sounding cheap, and in fact less than 2 weeks ago I found a tool which gets me most of the way there with my own samples, and it's part of an obscure experimental collection of tools which really isn't meant for this sort of thing, but I've found a way to make them work. Ordinarily I'd be sharing this find with my geeky friends, but I do have to be careful who I tell about it; many people have moved on. Fancy tricks to compress samples are no longer sought after, and are in fact frowned upon. Why squeeze a piano down to 10 megabytes of space and be proud of the unnaturally clean compression I managed to do to make it smaller, when pianos which are 1,000 times the size are commonplace, often sound a lot better, and need no compression at all?
When I think about this, I become at least a little depressed, and sometimes I wish I were 20-30 years older. Old enough to have been around at a time when my special interests had a place. But then I do a double-take. Had I been around during that time, I wouldn't have the tools I have now. Maybe the tools people used then weren't as easy to use. And aside from that, maybe I would've found it harder to learn the basics of audio editing. I learned about those online mostly. In the 90s, such resources were not nearly as abundant, and I likely would not have met my few friends who at least tolerate my odd interests now. For me at least, the chance that things would flop if I were in the past is what keeps me glad I'm in the present . Besides, there are always little circles to be found for any special interest.
So, what kind of irrelevant special interests do you have? If you could, would you go back in time and seek out big opportunities to use your special interest?